Jethalal Insults Babita And Mr. Iyer
Jethalal still can't believe that Babita and Mr. Iyer threw his gift in the garbage thus Tarak Mehta tries to calm him down but Jethalal was super angry, there in the Gokuldham society, Babita and Mr. Iyer gifts a box full of sweets to Jethalal but Jethalal does not accept it and instead of receiving the gift, he gives it to Abdul in front of Babita and Mr. Iyer and indirectly insults them later, tensed Daya rushes to Jethalal to reveal the truth that, there was no option left to throw the chocolates as it was expired and Jethalal feels guilty for behaving rude with her dear colleague Babita. Baagha apologizes for his mistake and thus, all the members of Gokuldham society enjoys Mr. Iyer and Babita's sweets. Baagha does not reveal Jethalal why he wants the loan. Will Jethalal give loan to Baagha? What will be his final decision?
The show is inspired from the famous humorous column 'Duniya Ne Undha Chasma' written by the eminent Gujarati writer Mr. Tarak Mehta. This story evolves around happenings in "Gokuldham Co-operative Society" and covers topical issues which are socially relevant.The show predominantly - Promoolves around 'Jethalaal' (Dilip Joshi) who is an uneducated Gujarati businessman. Your 'Taarak Mehta' (Sailesh Lodha), is his neighbour. 'Jethalaal' finds a friend and philosopher in 'Taarak Mehta' and often goes to him for advice whenever he is in trouble. Jethalaal's family includes his simpleton wife 'Daya Ben' (Disha Wakani) and a mischievous son 'Tapu' (Bhavya Gandhi). Tapu is a menace and a constant source of trouble to all the members of Gokuldham. They have often warned 'Jethalaal' to reform 'Tapu' or else be prepared to leave the premises. Lost hopes of being heard by his son pushes Jethalaal' to call his father 'Champaklal' (Amit Bhatt) from the village. This was his great idea of leashing some control over the mischievous Tapu. The opposite happens and the grandfather joins hands with the grandson to make life a roller coaster troublesome ride for Jethalaal.
